Billy curiously ended up in a movie, though the question remained: why had a film like this taken so long to produce? Michelle’s answer was fleeting, like wind and foam. She had to travel to a remote English coastline, which, though it appeared suburban, was actually the production’s final stop. Everything fell into pce thanks to scheduling adjustments. The original budget of 25 million ended up being 22 million due to unexpected circumstances.
Connections open more doors than routine auditions ever could.
-The issue was that we couldn’t film; permits were deyed for almost three months. They decided to push back the entire production schedule. Originally, your role was meant for Matt Damon, but he couldn’t make time and had to cancel. Now it’s your turn to take the spotlight. - Michelle expined.
-That’s a shame, but honestly, I’m gd for the dey. It worked in my favor. - Billy said, winking.
-Well, that’s what happens when you’re around someone as amazing as me. - Michelle teased, dispying her pyful, slightly masculine side, though her mannerisms often shifted into fshes of feminine charm.
The movie EuroTrip was a DreamWorks production. Michael Oclkars meticulously reviewed the contract. They’d even finalized the song Billy was to perform: Johnny in the Middle. Due to a series of events, acquiring the rights for the soundtrack cost 500,000, of which Billy earned 28%. The rest went to Warner.
-Come on, I’ll take you to make up. - Michelle offered, leading Billy to the makeup trailer. They applied tattoos to his neck and hands, gave him heavy eyeliner and mascara, and styled his hair into a tousled look with a bit of cream.
-So, this is what makeup does to me. - Billy mused, observing his transformation.
His scene revolved around a cssic high school graduation party, a quintessentially American cinematic trope.
Fully dressed as a bad boy, Billy wore a bck mesh shirt yered over a tank top, with magnetic piercings completing the look. He exuded a rugged charm that the producers loved; they had their marketing angle locked in.
-They just need to shoot my scene, and that’s it. - Billy said.
Soon, the three directors entered the set. It was unusual for a film like this to have three directors, but that was the reality.
-Mr. Carson, it’s a pleasure to have you here. Michelle really saved us. - said Alec Berg, whose involvement reassured the team that the film could become a hit. Alec, a renowned writer, producer, and director, was famously known for Seinfeld.
-I’m just here to do my part. - Billy replied. His credentials included not only being a musician but also holding diplomas from two prestigious acting schools and having been mentored by a renowned acting coach.
Michelle nodded.
-Let me introduce you to someone who wants to meet you. He’s a composer and would love for someone of your caliber to perform one of his rock songs. - Alec said, referring to James L. Venable, a legendary composer whose works spanned numerous iconic TV shows.
-I think everything’s falling into pce perfectly. - Alec commented to Jeff Schaffer, who shared directing duties.
-Most of the scenes were supposed to be shot in Prague, but with all the production issues... - Jeff responded with a tinge of frustration over the deys, particurly with setting up the house party scenes, which hadn’t yet been filmed.
-Alright, we’ll shoot in an hour.- Jeff announced. -You can go talk to Kristin; you’ll be sharing a scene with her. -
Billy nodded, parting ways with Michelle, who couldn’t hide her beaming smile. Billy, however, had no idea who Kristin was. When he finally met her, she turned out to be a stunning brunette with jet-bck hair, cd in a fitted top and short skirt that highlighted her captivating legs.
-Hi. - Billy greeted.
-You’re Billy Carson. - the actress excimed.
-The one and only. I’ve just got a small role. - Billy replied. Kristin was a bit shy, not overly talkative, but there was an undeniable spark between them.
They chatted briefly. She asked about his music and upcoming album, subtly dropping hints of interest. Billy caught the signals—the way she tilted her head to expose her neck and colrbone, the subtle brush of her knee against his. He confidently leaned in, his gaze lingering on her lips.
-I’m from Canada. - Kristin mentioned.
-That expins it. Avril’s a good friend of mine; you both have a simir way of speaking. - Billy said.
-I love her music. She’s amazing - Kristin replied.
-I could introduce you. We’ll be touring in a few months. She’ll join me for a few stops. If you’re free, swing by France, Holnd, or Spain—you’re always welcome. - Billy offered, making Kristin blush with a shy smile.
-I think it’s time to act.- - Kristin said as the call to set echoed.
...
Scene 123, Take 1.
Billy strummed his guitar, ensuring everything was in pce. The band members—guitarists, drummers, bassists, and pianists—watched in awe as Billy Carson prepared.
He grabbed the metal microphone, lifting it confidently.
-Alright, listen up, everyone! This song is about the most beautiful, sophisticated doll I know. This one’s for you, love. Happy anniversary!- Billy decred. Kristin ran toward him, transformed and glowing with energy. She threw herself into his arms, and they shared a passionate kiss. It was a bold, fiery moment. Billy cupped her hips as the intensity of the scene escated.
-Let’s do this!- Billy shouted, channeling a mix of raw emotion and primal energy.
???????? ????????
Scotty doesn't know that Fiona and meDo it in my van every SundayShe tells him she's in church but she doesn't goStill she's on her knees and Scotty doesn't know
Oh, Scotty doesn't knowSo don't tell ScottyScotty doesn't knowScotty doesn't know(So don't tell Scotty)
Fiona says she's out shoppingBut she's under meAnd I'm not stopping
???????? ????????
???????? ????????
'Cause Scotty doesn't knowScotty doesn't knowScotty doesn't knowScotty doesn't knowSo don't tell ScottyScotty doesn't knowDon't tell Scotty
I can't believe he's so trustingWhile I'm right behind you thrustingFiona's got him on the phoneAnd she's trying not to moanIt's a three-way call and he knows nothing, nothing
Scotty doesn't knowScotty doesn't knowScotty doesn't knowSo don't tell Scotty'Cause Scotty doesn't knowScotty doesn't knowSo don't tell Scotty
We'll put on a showEveryone will goScotty doesn't knowScotty doesn't knowScotty doesn't know
The parkin' lot, why not?It's so cool when you're on topHis front wn in the snowLife is so hard 'cause Scotty doesn't knowScotty doesn't know
???????? ????????
I could feel Kristin's ass tease as she gathered momentum and pressed against her in a proactive manner, she sighed sensually. Which was recorded by the camera.
???????? ????????
I did her on his birthday
Scotty doesn't knowScotty doesn't knowScotty doesn't knowScotty doesn't knowSo don't tell ScottyScotty doesn't know
Scotty will knowScotty doesn't knowScotty's gotta knowI'm gonna tell ScottyGonna tell him myselfScotty doesn't knowScotty doesn't knowScotty has toScotty has toScotty has to go.
Scotty doesn't knowScotty doesn't know(So don't tell Scotty)Scotty doesn't knowScotty doesn't knowScotty doesn't know(So don't tell Scotty)Scotty doesn't know.
That is so bad! So bad
???????? ????????
The song, driven by powerful vocals, catchy rhythm, and wild rock spirit, was simple yet infectious—a surefire hit for at least three months.
-Cut! - the director called, clearly pleased.
-You were amazing. - Kristin said.
I always am. The song’s catchy, isn’t it? - Billy responded.
He grabbed his camera, snapping a few shots for his blog. Showing this side of himself—rugged, charismatic, and intense—was captivating for his fans.
-You’re really talented. - Kristin said.
Removing his headphones, Billy listened to the crew’s feedback. He adjusted his gaze, appreciating Kristin’s quiet elegance, so different from her fiery on-screen presence.
...